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The Last Picture Show

4,31 

The Last Picture Show (1966) is both a rambunctious coming-of-age story and an elegy to a forlorn Texas town trying to keep its one movie house alive. Adapted into the Oscar-winning film, this masterpiece immortalizes the lives of the hardscrabble residents who are threatened by the inexorable forces of the modern world.

In The Last Picture Show, Larry McMurtry introduced characters who would show up again in later novels, Texasville and Duane’s Depressed. This first volume of the trilogy drops the reader into the one-stoplight town of Thalia, Texas, where Duane Moore, his buddy Sonny, and his girlfriend Jacy are all stumbling along the rocky road to adulthood. Duane wants nothing more than to marry Jacy; Sonny wants what Duane has; and Jacy wants to get the hell out of Thalia any way she can. This is not a novel of big ideas or defining moments; over the course of a year Duane and Jacy make up and break up, Sonny begins an affair with his high-school football coach’s wife, and the only movie house in town closes its doors forever. Yet it is out of these small-town experiences–a nude swimming party in Wichita, a failed sexual encounter during a senior trip, a botched elopement, an enlistment–that McMurtry builds his tale and reveals his characters’ hearts. No epiphanies here, just a lot of hard-won experience that leaves none of his protagonists particularly wiser, though they’re all a little sadder by the end. –Alix Wilber

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“McMurtry is an alchemist who converts the basest materials to gold.” — New York Times Book Review

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